
Not until this production did I witness the power of "the eyes" first hand. Granted, I had good seats, still no where near the stage, but with every aria I was compelled at the emotion behind each singer's eyes. Cheryl Studer is a particular name springing to mind when considering the effective use of eyes as a unit of technique. The cast performed at a level beyond the black and white of the page; their characters were real, alive, and feeling.
This is great a enigma for the performer: how to make the character come to life without standing in the way of this process or confusing personal circumstance with that of the characters we create? Bottom line, eyes help audiences understand the character, their thoughts, and all the things that the voice is not be able to completely express.
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